Sit under
dialogue
Clean frequency space, controlled dynamics, and vocals that support a scene instead of stepping on it.
Mix for the scene, not just the speakers. Learn to build mixes that sit under dialogue, cut to picture, and ship with the stems a music supervisor asks for.
Supervisors don't pass because your song is bad. They pass because it fights the dialogue, the edit runs long, or the stems never show up. This is the part nobody teaches songwriters.
INT. MUSIC SUPERVISOR'S OFFICE - NIGHT
Three monitors. Forty unread pitch emails. The SUPERVISOR drops your track under the scene. The chorus hits. The actor's line disappears.
Supervisor
(rubbing eyes)
Love the song. Vocal's eating the dialogue. Do they have an instrumental?
Assistant
No stems. No 30-second cut either.
A beat. The cursor moves to the next file.
Cut to: someone else's song.
A radio mix is built to win on its own. A sync mix is built to serve the picture. Different job. Different rules.
Clean frequency space, controlled dynamics, and vocals that support a scene instead of stepping on it.
Edits and cutdowns that land on time, so an editor can drop your track into a 15, 30, or 60 without fighting it.
Final mixes and stems that are finished, labeled, and ready to send the moment a supervisor says yes.
From training your ears to delivering broadcast-ready cutdowns. Tap a reel to see every lesson.
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Self-paced. All 26 lessons and the bonus projects are video. Watch them in order or jump to the reel you need.
For life. Buy once and come back to any lesson whenever a new song needs it.
The core lessons teach listening, sound, recording, and mixing principles you can use in your own setup. The bonus walk-through is done in Logic using only stock plugins, so you can follow along without buying anything extra.
No. Reels 1 and 2 build your ears and fundamentals first. If you already mix, jump ahead to Reels 6 and 7 for the sync-specific work: stems, cutdowns, and the final sync-ready check.
The exact same course. You pay $285 today, then $285 a month for three more months. Access starts right away.
A shorter edit of your song, usually built for 15, 30, or 60 second spots. Ads and trailers need them, and having them ready makes your track easier to say yes to. Reel 7 shows you how to make them.