Sync Placements Rejected? Here’s What the Data Shows…

Over the past five years, I tracked every single sync pitch I sent out—and got rejected 3,247 times. Sound brutal? It was. But what I learned from all those rejections changed everything about how I approach sync licensing—and it can change your results, too.

If you’re getting rejected constantly and wondering if you should give up, you’re not alone. Most musicians quit sync too early, thinking it’s just another music industry dead end. But the data tells a different story.

In this post, I reveal the only comprehensive rejection analysis in the sync industry, the breakthrough patterns I found, and how to turn rejection into your next big “yes.” I’m joined by my partner Michael Elsner from Elite Music Coaching, and together we share insights from our new book, Sync Titan Secrets.

Here’s what you’ll learn:

• Why most musicians quit sync licensing too soon
• The difference between the music industry and the sync world
• How to use rejection as a tool for growth (not a reason to give up)
• The seasonal patterns and timing that affect library and agent acceptance
• Why feedback is rare—and what to do instead
• The proven system that leads to breakthrough placements

Rejection isn’t about your talent. It’s about understanding the system, the timing, and the mindset that actually leads to placements. Sync is a marathon, not a sprint. The musicians who stick with it, follow a proven process, and learn from every “no” are the ones who start seeing real results.

If you’re frustrated by constant rejection or wondering if you should give up on sync, this is the data-driven reality check you need. The good news? If you’re getting rejected, you’re in the game. Stick with it, follow the system, and your “yes” is coming.