Sync Titans don’t hope.
They get placed.

★★★★★

“I’ve been working with Jody for more than a decade now. In that time, he’s made me a boatload of money through over 13 music placements. Jody has the right connections in the music biz to plug you into TV and Movie placements that will create a royalty stream to last a lifetime.”

— Ken M., Writer & Producer

★★★★★

“Since I began working with Jody, we’ve landed 8 licenses together, including my song ‘Sugarland,’ which became a running theme across multiple seasons of American Horror Story on FX.”

— Papa Mali, Recording Artist

★★★★★

“Jody managed to land a song of mine in the feature film Friends With Benefits, starring Justin Timberlake & Mila Kunis. The Director loved it enough to use it FOUR times — every time it airs anywhere in the world, I see royalties.”

— Eric Paul, Recording Artist

★★★★★

“!!! DIRECT LICENSING DEAL SIGNED WITH THE BBC !!! My partners and I have been quietly working on this one for months. Super excited to share the news!”

— Chris C., Composer/Producer

★★★★★

“The lessons on how to properly approach music supervisors and music libraries are so incredibly valuable! The next time I pitch my music, I’m going to have these lessons playing in the background.”

— Matt R., Guitarist for Carrie Underwood

★★★★★

“Because of the Zoom meetups and your guidance, I now have music with Crucial Music, Gravlpit, and Mediahorse, with 7 placements in the past 10 months. I’ve also connected with top ad agencies!”

— Kevin G., Music Catalog Owner

★★★★★

“Got my first placement! I wrote and recorded an instrumental rock track that got purchased, as part of a package through a sync agent I’ve been working with, by CBS Sports for their upcoming season!”

— Chuck M., Recording Artist

★★★★★

“Just got two of my Christmas songs signed. Three year exclusive contract with a place that specializes in placing Christmas music.”

— William O., Composer

★★★★★

“I signed an exclusive 3-year deal with an LA-based library, and I’m really excited! Thanks so much for all your great advice and online classes, which prepared me for signing this deal.”

— Erik E., Musician & Artist

★★★★★

“I just got 4 placements this morning, and even after four years, every placement still excites me. Stay focused and keep pushing — success is within reach.”

— Luke T., Composer

★★★★★

“First payment in for my first sync licensed song, for a placement in the MTV show Busch Family Brew. My song is called Dreams Come True. How cool is that for my first placement?”

— Bill O., Songwriter

★★★★★

“Jody is one of my first calls whenever I need quality music of any genre. His creativity is matched only by his efficiency. A+”

— Natasha D., Music Supervisor

★★★★★

“It gave me a real system, and the results speak for themselves: a film placement with Imagem Films, 49 tracks synced, and a feature with Sony Pictures Brasil. Now I’ve been shortlisted for another major film set to start production in October. This isn’t trial and error. It’s strategy.”

— Moses G., Composer

★★★★★

“The course paid for itself with my first commercial placement. Since then, I’ve gotten 12 songs placed in rotation with major libraries and earned over $8,000 in my first royalty statement — and landed 3 placements in Major TV Shows within just 90 days.”

— Michelle V., Singer-Songwriter

★★★★★

“I’ve launched my own library, signed my catalogs to a top agency, and landed placements across the NFL, MLB, and NBA — many airing multiple times per day. You’ve given me the knowledge, confidence, and systems to build a thriving career.”

— Ryan E., Independent Musician

★★★★★

“My husband Patrick and I compose full-time now and have placed 27 songs in film and TV. We’ve signed 42 tracks to 9 libraries, a film company, and even a community bank. Three libraries now reach out to us.”

— CherylAn Sokol Byrne, Composer/Producer/Songwriter

★★★★★

“I thought I understood the sync business after 5 years of trying. Turns out I was doing everything wrong. Within 60 days of implementing the system, I secured two library deals. You guys rock!”

— Marcus T.

“It’s rarely about talent. It’s about whether they understand what people on my side of the desk actually need.”

Sean Fernald

Oscar-Winning Producer/Music Supervisor — Dexter: Resurrection

“The right song in the right film can change an artist’s career overnight. I’ve seen it happen.”

Mary Ramos

Music Supervisor — Once Upon a Time in Hollywood, Kill Bill

“A clear, practical path into the often-misunderstood world of music licensing.”

Adam Taylor

President/CEO, APM Music

“Valuable insights into the strategies and principles behind that success.”

Jennifer Pyken

Music Supervisor — This Is Us, Workaholics

“The most comprehensive guide to the sync industry I’ve come across.”

Ryan Svendsen

Head of Music, Angel Studios — The Expendables 4

“Persistence pays off, and they show you why and how.”

Randall Wixen

Founder, Wixen Music

“Jody does a great job breaking down the realities of sync licensing into something approachable and actionable.”

Deric Berberabe

Music Supervisor, Wild Card AV — Dune: Part Two, The White Lotus

“An exceptional job breaking down a complex industry into a practical, inspiring roadmap.”

Kari Kimmel

Sync Agent, Owner, Glow Music Group — Cobra Kai, Shrinking